Clarke Was Involved in the Making of This MovieĢ001 is loosely based on a short story called “The Sentinel” by Arthur C. … You didn’t solve it by watching it a second time, but you did settle into its mysteries.”Īrthur C. Rather, the director wanted audiences to make their own connections and draw their own conclusions about the film, to develop a more personal experience of and relationship with its deeper meanings and messages.Īre those meanings and messages cosmic, spiritual, or both? At every opportunity, Kubrick leaves it to the viewer to decide.Īs The New Yorker essay “ 2001: What It Means, and How It Was Made,” explains, “The film took for granted a broad cultural tolerance, if not an appetite, for enigma, as well as the time and inclination for parsing interpretive mysteries. Kubrick Never Intended To Spell It All Out Likewise, technologies were far less advanced, and awareness of metaphysical concepts was far less widespread, perhaps dampening the impact on modern audiences of elements that were groundbreaking to audiences of the time. The fact that Kubrick also aimed to produce a slowing-down effect through much of the film is only amplified by modern audiences’ sensibilities for high action and a fast pace. The Film, in Many Ways, Is a Product of Its Timeįilms of the mid-twentieth century moved at a slower pace than films of today. – What Is the Point of the Cascading Color Spectrum?īefore diving into the nitty-gritty of it, there are several key points about the film and the making of it that in some way inform the answers to most, if not all, of the frequently asked questions about 2001: A Space Odyssey.– What Is the Meaning of the Giant Baby at the End?.– Why Did Dave Emerge From the Ship Into a Bedroom?.
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